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painted stone with a rope braided copper wire ..

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http://loredanalipperini.blog.kataweb.it/lipperatura/2011/01/19/dagli-scaffali-si-tolga-saviano/ # comments

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Reflection

I was going to post some chapter, but my thoughts are occupied by several considerations:

http://elvezio-sciallis.blogspot.com/2011/01/medioevo-prossimo-venturo.html

http://www.wumingfoundation.com/giap/?p = 2572

http://loredanalipperini.blog.kataweb.it/lipperatura/2011/01/17/pennac-fuorilegge-a-venezia/ # comments

"If I take responsibility", there seems to be a thread?

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pendants ..

here are two necklaces that I got for Christmas .. sorry the picture moves a little and blurred .. ^ ^

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- No. Think of it from the point of view of the total - would press forward to Crowfoot. - Let's say that you are Michelangelo, and try to turn a huge block of marble in David . The figure is enclosed in marble: you must release it with the mallet and chisel, right? Hit the block, it sketches a splinter off. Strikes again. Another splinter. Some other yet, and perhaps begin to emerge the outline of an arm. The angle of the chisel is slightly different for each shot, no? And perhaps the amount of force you use to strike the chisel with the mallet is also different. You constantly change and adjust the shots, according to information dl that receive block of marble: the emerging form, the exact plans of fracture, and so on. See the total system? The process of creating Michelangelo's David is not one in which you, Michael, you simply act on a passive mass of stone. Even the marble is an active force, part of the circuit, in a sense part of the mental system that is Michelangelo as a sculptor. Because ...

- I do not

- Let me finish. Let me rebuild the entire circuit. A change in the contour of the marble is perceived by your eye and evaluated by your brain, which transmits information to the muscles of your arm on the force and the angle of the next shot and this causes a change in your reaction when neuromuscular unleashes the next shot, producing a further change in the marble that gives rise to a further perception of change in the eye and a new program in the alteration of the brain, which leads to another correction of the reaction Neuromuscular for the next shot, and so on, until the statue is over. The process of sculpting the statue is a process of perception and reaction to change, different strokes for stroke: the block of marble and is an essential part of the total system.

- asked not to be - Shadrach says mildly. - Do not know to be part of a system.

- Not a factor. Consider the system as a closed universe. Marble change, and its changes produce a change in Michelangelo, leading to further changes in the marble. Universe closed-tools-marble sculptor, Michelangelo is not correct to consider as the 'I', agent, and marble as something on which we act. And tools and marble sculptor, and together form a single causal network of roads, one entity that thinks, acts and change, one person, if you want.

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simplifying this concept, we can also say that the point of view indicates a position relative to the world, while the portion of the world that takes you to that exact location. These certain parts of the world from the point of view can reach the observer through the five senses. With the rationality or rather, again, with everything that falls into a ball tied to 'instinct : feelings, beliefs, cultural values, moral and historical that each of us. In this way, we can distinguish between points of view perceptual , defined by what channel and receptor see ; views cognitive , on what channel and receptor know, and points of view that the manuals call epistemic narrative: namely, that relate to convictions and beliefs issuer and the receptor.

With a choice of point of view, it identifies a portion of reality rather than another. You enter some information, and not to others, you put in perspective and not in another. This selection however, is what also allows you to highlight what you have chosen. I can never see simultaneously fish blacks and white birds. One of two things will be excluded, and the other will be highlighted. It is inevitable when you focus on something and exclude everything else, you automatically also highlights that something.

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Interlude No. 5 Interlude No. 4 Interlude No. 3

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